March 18, 2016

A couple of Fridays ago, we had Vetri Maaran's Visaaranai, a hard-hitting film that was a damning one for the police force as it shined a light on the brutality that those with power unleash upon the defenseless. For them, Sethupathi should feel like a God-sent PR bonanza from Kollywood — even if that is entirely incidental — that acts to restore the public's faith in the force. Right from the title credits, which acts as homage to the men in kha… read the rest.

A couple of Fridays ago, we had Vetri Maaran's Visaaranai, a hard-hitting film that was a damning one for the police force as it shined a light on the brutality that those with power unleash upon the defenseless. For them, Sethupathi should feel like a God-sent PR bonanza from Kollywood — even if that is entirely incidental — that acts to restore the public's faith in the force. Right from the title credits, which acts as homage to the men in khakhi (just like how the end credits of Thuppakki paid tribute to our army jawans), the film keeps celebrating cops.

And it also brings back the masala movie cop, a character whose every action we are meant to cheer. Sethupathi (Vijay Sethupathi), an inspector about to be promoted as an assistant commissioner, is tenacious and fearless. A cop is murdered in a place that is under his jurisdiction and so he starts investigating the case. He finds out that the local big shot, Vaathiyar is connected to this killing and goes after him. He even arrests Vaathiyar (Vela Ramamurthy, who is as terrific in this bad guy role as he was as the kind-hearted patriarch in Paayum Puli), but an unforeseen accident involving a gun and a student, puts his career in jeopardy. However, Sethupathi soon realises that this accident has a connection to the case involving the dead cop. Now, he has to play a cat-and-mouse game with Vaathiyar while trying to hold on to his job.

Sethupathi is a Vijay Sethupathi show all the way. This is his first action hero role, and the actor turns on his star wattage to the maximum. Not since Vikram in Saamy has an actor effortlessly displayed that casual arrogance that is needed for a masala movie cop. Like Saamy, Sethupathi is a mix of brains and brawn, someone who can make gangsters tremble by just appearing before them and outthink his foes. Arunkumar shrewdly exploits this to give us one whistle-worthy moment after another. Two scenes, particularly, stand out. One, where he hides his face with a scarf to attack the villain's henchmen, after getting into trouble in an earlier scene when due to a video. In the other one, he relays instructions over phone to his wife (Ramya Nambeesan) and son and protects them from the goons who have broken into their house.

The director, who made the sweet-natured Pannaiyarum Padminiyum, goes all out to venerate his hero, and there are times when we begin to think if this unconcealed commercial approach is a response to the box office underperformance of his debut film. He certainly seems to have learnt a lesson from that on one account. The languid storytelling of the former is here replaced with a narration that is spry. And, thanks to his editor Sreekar Prasad and composer Nivas Prasanna's spunky score, he manages to achieve this without resorting to gimmicks like ramped up or hyper-edited shots.

If there is a hitch, it is the scenes that are set in Sethupathi's home. They are clearly meant to be fillers between the action scenes, and while the happy nuclear family sub-plot (with cute kids and marital romance) acts a feel-good counterpoint, the scenes become repetitive after a point. The other problem is that while the villain is formidable enough, his henchmen never come across as people who can pose a serious threat to Sethupathi. But, to Arunkumar's credit, there is hardly any lull in the film for us to start thinking about such niggles, and we just go along on this entertaining ride.

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November 29, 2017

**An honest cop's confrontation with a ruthless gangster!**

Recently I reduced watching Indian films, but still hanging around Tamil films. Now and then checking out some parallel films, particularly the Vijay Sethupathi films. Police is a character that donned by all the top stars in Kollywood and saw tremendous success. So when I heard Vijay Sethupathi doing one, I don't want to miss it. Well, it was not a great film, not for the standards o… read the rest.

**An honest cop's confrontation with a ruthless gangster!**

Recently I reduced watching Indian films, but still hanging around Tamil films. Now and then checking out some parallel films, particularly the Vijay Sethupathi films. Police is a character that donned by all the top stars in Kollywood and saw tremendous success. So when I heard Vijay Sethupathi doing one, I don't want to miss it. Well, it was not a great film, not for the standards of Vijay Sethupathi I've been looking for. Because of little commercialised with traditional Tamil cop film style, including punch dialogues and the way of confronting the bad guy. Yet quite enjoyable.

Sethupathi is an honest cop. Married with two kids. The criminals are scared of him and so people in the department under him. Well, one day he tied up to investigate the death of a police officer. But it begins to take a twist every time he nears to resolve it. Soon a direct confrontation happened between him and the bad guy. And after a series of challenges exchanged between them, finally who would triumph and how it all happen are told in the final quarter.

This is the second collaboration between the director and the actor. Not the seen the first film, now I'll give it a try. It also a second collaboration between two lead pair after 'Pizza'. Nice performances by all, including the little ones. The domestic audience might like it better than the outsiders. Because it had all the ingredients they would look for. Even though I thought the villain was the most clichéd thing ever. Not just in this film, but any Tamil commercial films. For the international merit, it should have been a little better, especially leaving out the music videos would have done a better job. Then the film would have been pushed back to around hundred minutes. But I think it is still worth a watch.

**6/10**

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