April 12, 2024

From an early age, "Gabrielle" (Marion Cotillard) has shown a bit of a rebellious spirit. As a girl, she was determined not to obey her parental wish to marry the local "Jose" (a subtly nuanced effort from Alex Brendemühl) - even though he was quite fond of her, and as a result she lived in the semi-seclusion that befitted an unwed girl in rural France. Her "break" comes in the unlikely form of some kidney stones that necessitates a trip to an Al… read the rest.

From an early age, "Gabrielle" (Marion Cotillard) has shown a bit of a rebellious spirit. As a girl, she was determined not to obey her parental wish to marry the local "Jose" (a subtly nuanced effort from Alex Brendemühl) - even though he was quite fond of her, and as a result she lived in the semi-seclusion that befitted an unwed girl in rural France. Her "break" comes in the unlikely form of some kidney stones that necessitates a trip to an Alpine hospital. It's here that she encounters the recovering "André" (Louis Garrel) who has just returned from French Indochina shell-shocked and badly wounded. There's a little of a Wildred Owen poem to this drama, I thought. It shows us the results of the horrors of war, the after effects and trauma, but there's also a degree of hope and optimism as their love story takes shape and maybe, just maybe, there's scope for contentment somewhere. Cotillard is on solid form as the rather self-obsessed and just a bit flaky "Gabrielle" and though Garrel doesn't have so much to do, he still comes across convincingly as a soldier conflicted by a reality and a dream - it's that conclusion that is quite a touching affair, and causes us to have a think about just who "Gabrielle" actually is. The film looks good and is well scored by Daniel Pemberton which all gives a certain lustre to Cotillard's portrayal of a woman I don't think I'd have liked very much.

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