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The Shape of Things to Come (1979)

May 4, 1979 (CA) Science Fiction, Adventure • 98m

Overview

Planet Earth is a devastated wasteland, and what's left of humanity has colonized the Moon in domed cities. Humanity's continued survival depends on an anti-radiation drug only available on planet Delta Three, which has been taken over by Omus, a brilliant but mad mechanic who places no value on human life. Omus wants to come to the Moon to rule and intends to attack it by ramming robot-controlled spaceships into the domes. Dr. John Caball, his son Jason, Jason's friend, Kim, and a robot named Sparks embark on Caball's space battlecruiser on an unauthorized mission to Delta Three to stop Omus.

Director

George McCowan

Top Billed

Jack Palance

Keywords

Top Billed Cast

Barry Morse
Barry Morse

Dr. John Caball

John Ireland
John Ireland

Senator Smedley

Greg Swanson
Greg Swanson

Sparks (voice)

William Hutt
William Hutt

Lomax (voice)

Lynda Mason Green
Lynda Mason Green

Lunar technician

Albert Humphries
Albert Humphries

Robot technician

Bill Lake
Bill Lake

Spacesuited man

Crew
Mike Cheda
Mike Cheda

Adaptation

Bill Wood
Bill Wood

Special Effects

Paul Hoffert
Paul Hoffert

Original Music Composer

Harry Alan Towers
Harry Alan Towers

Executive Producer

Gerry Holmes
Gerry Holmes

Art Direction

Reginald H. Morris
Reginald H. Morris

Director of Photography

Wally Gentleman
Wally Gentleman

Visual Effects

John Danylkiw
John Danylkiw

Associate Producer

Martin Lager
Martin Lager

Screenplay

Earle Fiset
Earle Fiset

Set Decoration

Fred Geringer
Fred Geringer

Assistant Art Director

Michael MacDonald
Michael MacDonald

Third Assistant Director

Bill Morgan
Bill Morgan

Makeup Artist

Lydia Wazana
Lydia Wazana

Sound Editor

Karl Scherer
Karl Scherer

Sound Mixer

Larry S. Wells
Larry S. Wells

Costume Designer

Fred Brennan
Fred Brennan

Sound Editor

Barry Leyland
Barry Leyland

Production Accountant

Michael O'Farrell
Michael O'Farrell

Assistant Editor

James Keeler
James Keeler

Hairdresser

Dennis Drummond
Dennis Drummond

Sound Editor

Tony Lucibello
Tony Lucibello

Location Manager

Robert Hannah
Robert Hannah

Stunt Coordinator

Gord Robinson
Gord Robinson

First Assistant Director

Gordon Langevin
Gordon Langevin

Focus Puller

Kristine M. Gilbert
Kristine M. Gilbert

Production Secretary

David Appleby
David Appleby

Sound Re-Recording Mixer

Herb Heritage
Herb Heritage

Boom Operator

Mary E. McLeod
Mary E. McLeod

Wardrobe Master

Michael Asti-Rose
Michael Asti-Rose

Assistant Sound Editor

Don White
Don White

Sound Re-Recording Mixer

David Shepherd
David Shepherd

Second Assistant Director

Paul Hoffert
Paul Hoffert

Orchestrator

Gordon Eldridge
Gordon Eldridge

Best Boy Grip

Kenny Porter
Kenny Porter

Assistant Set Decoration

Steven Cole
Steven Cole

Assistant Sound Editor

Patrick Drummond
Patrick Drummond

Supervising Sound Editor

Marilyn Stonehouse
Marilyn Stonehouse

Production Manager

Anthony Bliss
Anthony Bliss

Still Photographer

Paul Hoffert
Paul Hoffert

Music Director

Jack Richardson
Jack Richardson

Music Producer

Matt Tundo
Matt Tundo

Camera Operator

Wilf Culley
Wilf Culley

Property Master

Bruce Lange
Bruce Lange

Assistant Editor



Reviews

Tourma

⭐ 1/10

October 2, 2023

**A slow, dull movie.**

A movie that feels like a Star Trek script that was thrown out for being too dull. There is just too little going on for too long.

The movie touts that it is based off of the H.G. Wells' story of the same name, though aside from some character names and the title, there is no other correlation.

The sets are cheap. The costumes are unremarkable. The robots are blatant knock off of the Lost in Space Robot and R… read the rest.

Wuchak

⭐ 4/10

November 23, 2025

**_Practically any episode of Buck Rogers is a superior choice_**

Shot in the fall of 1978, this is a cheesy Star Wars knockoff that merely uses the HG Wells name as a selling point since the story has nothing to do with his 1933 novel. Meanwhile the robots in the story are variations on the Robot from Lost in Space.

I mention Buck Rogers because the sets, costumes and FX are comparable to that contemporaneous TV series. Also, Jack Palance… read the rest.

Status

Released

Original Language

EN

Budget

Revenue

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