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I Am Mother (2019)

June 7, 2019 (AU) Science Fiction, Thriller • 113m

Overview

A teenage girl is raised underground by a robot "Mother", designed to repopulate the earth following an extinction event. But their unique bond is threatened when an inexplicable stranger arrives with alarming news.

Keywords

Where to watch

Top Billed Cast

Crew
Sam Peacocke
Sam Peacocke

Drone Operator

Joel Brown
Joel Brown

Second Assistant "B" Camera

Glenn Clayton
Glenn Clayton

Steadicam Operator

Ulric Raymond
Ulric Raymond

Steadicam Operator

Jules Wurm
Jules Wurm

First Assistant "A" Camera

Russell Marrett
Russell Marrett

Focus Puller

Ryan Haste
Ryan Haste

Drone Pilot

Samuel Vines
Samuel Vines

First Assistant "A" Camera

Glenn Clayton
Glenn Clayton

"B" Camera Operator

Geoff Skilbeck
Geoff Skilbeck

First Assistant "B" Camera

Cameron Dunn
Cameron Dunn

First Assistant "B" Camera

Samuel Fraser
Samuel Fraser

Second Assistant "A" Camera

Sam Steinle
Sam Steinle

Second Assistant "A" Camera

Sarah McDonald
Sarah McDonald

Focus Puller

Ross Metcalf
Ross Metcalf

Second Unit Cinematographer

Kate Rawlins
Kate Rawlins

Set Designer

Ian Routledge
Ian Routledge

Still Photographer

Matt Nettheim
Matt Nettheim

Still Photographer

Karen Gower
Karen Gower

Makeup & Hair

Dan Luscombe
Dan Luscombe

Original Music Composer

Prue Parsons
Prue Parsons

Set Designer

Ryan Squires
Ryan Squires

Foley Recordist

Natalie Wall
Natalie Wall

Casting Associate

Claudia Allison
Claudia Allison

Casting Assistant

Pete Smith
Pete Smith

Sound Re-Recording Mixer

Alice Wong
Alice Wong

Set Designer

Pete Smith
Pete Smith

Dialogue Editor

Tom Heuzenroeder
Tom Heuzenroeder

Sound Designer

Kelvin Munro
Kelvin Munro

Second Unit First Assistant Director

Jonathan Dearing
Jonathan Dearing

VFX Supervisor

Antony Partos
Antony Partos

Original Music Composer

Tracy Phillpot
Tracy Phillpot

Hair Designer

Adrian Medhurst
Adrian Medhurst

Foley Artist

Adrian Medhurst
Adrian Medhurst

Foley Editor

Bernard Galbally
Bernard Galbally

Music Supervisor

Tracy Phillpot
Tracy Phillpot

Makeup Designer

Duncan Campbell
Duncan Campbell

Sound Designer

Hugh Bateup
Hugh Bateup

Production Design

Terry Dougas
Terry Dougas

Executive Producer

Grant Sputore
Grant Sputore

Executive Producer

Adam Wheatley
Adam Wheatley

Art Direction

Todd Smythe
Todd Smythe

Art Direction

Regg Skwarko
Regg Skwarko

First Assistant Editor

Julie Byrne
Julie Byrne

Line Producer

Marty Pepper
Marty Pepper

Digital Intermediate

Zoilo Abad
Zoilo Abad

Animatronics Designer

Shannon Crotty
Shannon Crotty

Second Assistant Director

Mark McGowan
Mark McGowan

Unit Publicist

Jean-Luc De Fanti
Jean-Luc De Fanti

Executive Producer

Mojgan Khadem
Mojgan Khadem

Script Supervisor

Anna Vincent
Anna Vincent

Co-Producer

Philip Wade
Philip Wade

Executive Producer

Carly Maple
Carly Maple

Production Coordinator

Steve McQuillan
Steve McQuillan

Stunt Coordinator

Lisa Brennan
Lisa Brennan

Set Decoration

Bryce Menzies
Bryce Menzies

Executive Producer

Elspeth Baird
Elspeth Baird

Production Accountant

Nick Steele
Nick Steele

Boom Operator

Travis Kalendra
Travis Kalendra

First Assistant Director

Olivia Iacobelli
Olivia Iacobelli

Costume Supervisor

Mariot Kerr
Mariot Kerr

Costume Design

John Wade
John Wade

Executive Producer

Jesse Goninon
Jesse Goninon

Location Manager

Michael Barba
Michael Barba

Set Production Assistant

Sophie Calver
Sophie Calver

Second Assistant Director

Des Kenneally
Des Kenneally

Sound Recordist

Marco Wuest
Marco Wuest

Prop Maker

Jenny Kent
Jenny Kent

Dialect Coach

Steve Annis
Steve Annis

Director of Photography

Marlee Barber
Marlee Barber

Stunt Double

Matthew Hunter
Matthew Hunter

Co-Executive Producer

Larry Hirsch
Larry Hirsch

Co-Executive Producer



Reviews

SWITCH.

⭐ 8/10

June 21, 2019

As technology edges closer to our bodies, and the notion of genetic engineering and artificially intelligent drones begin to feel less outlandish, these age-old questions on the ethics and impact of science take on a more urgent dimension. ‘I Am Mother’ explores them with intelligence and style. Not only is it by far the best science fiction film to emerge from among the multitude of Netflix Originals, but cult gem status surely beckons.
- Jake … read the rest.

Gimly

⭐ 5/10

August 25, 2019

Bottle-episode sci-fi films have treated me pretty well in the past. _I Am Mother_ is not the greatest example of such a thing, but it is a fair one. Props in particular when it comes to the titular Mother, who absolutely feels realistic in this.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

Status

Released

Original Language

EN

Budget

Revenue

$643,593

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