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Guillermo del Toro's Pinocchio (2022)

November 9, 2022 (US) Animation, Fantasy, Adventure, Drama • 117m

Overview

During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.

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Where to watch

Top Billed Cast

Ewan McGregor
Ewan McGregor

Cricket (voice)

David Bradley
David Bradley

Geppetto (voice)

Gregory Mann
Gregory Mann

Pinocchio / Carlo (voice)

Burn Gorman
Burn Gorman

Priest (voice)

Ron Perlman
Ron Perlman

Podesta (voice)

John Turturro
John Turturro

Dottore (voice)

Finn Wolfhard
Finn Wolfhard

Candlewick (voice)

Cate Blanchett
Cate Blanchett

Spazzatura (voice)

Tim Blake Nelson
Tim Blake Nelson

Black Rabbits (voice)

Christoph Waltz
Christoph Waltz

Count Volpe (voice)

Tilda Swinton
Tilda Swinton

Wood Sprite / Death (voice)

Tom Kenny
Tom Kenny

Mussolini / Right Hand Man / Sea Captain (voice)

Alfie Tempest
Alfie Tempest

Carlo / Pinocchio Additional Voices (voice)

Anthea Greco
Anthea Greco

Podesta's Wife / Twin Daughter 1 / Parishioner Woman (voice)

Francesca Fanti
Francesca Fanti

Twin Daughter 2 / Old Woman / Street Sweep (voice)

Sandro Carotti
Sandro Carotti

Fruit Vendor / Butcher (voice)

Rio Mangini
Rio Mangini

Milliner / Soldier / Carnival Worker (voice)

Benjamin Valic
Benjamin Valic

Confident Boy / Laughing Boy (voice)

Sky Alexis
Sky Alexis

Young Girl (voice)

Ariana Molkara
Ariana Molkara

Older Girl (voice)

Roy Halo
Roy Halo

Young Boy (voice)

Luciano Palmeri
Luciano Palmeri

Barrel Man / Soldier / Carnival Worker (voice)

Peter Arpesella
Peter Arpesella

Carnival Worker (voice)

Crew
Antony Elworthy
Antony Elworthy

Lead Animator

Dan Ramsay
Dan Ramsay

Lead Animator

Chuck Duke
Chuck Duke

Lead Animator

Gris Grimly
Gris Grimly

Co-Producer

Charmaine Fuller
Charmaine Fuller

Makeup Department Head

Samantha Levine
Samantha Levine

Set Decoration

Scott Martin Gershin
Scott Martin Gershin

Sound Supervisor

Steven Gizicki
Steven Gizicki

Music Supervisor

Mary Hidalgo
Mary Hidalgo

Casting Director

Jason Lust
Jason Lust

Executive Producer

Vera Brosgol
Vera Brosgol

Head of Story

Luis Téllez Ibarra
Luis Téllez Ibarra

Supervising Animator

Karla Castañeda
Karla Castañeda

Production Design

Laura Savage
Laura Savage

Set Dresser

Mattie Bowden
Mattie Bowden

Set Dresser

Jesse Gregg
Jesse Gregg

Set Dresser

Samantha Levy
Samantha Levy

Set Dresser

Zach Sheehan
Zach Sheehan

Set Dresser

Guy Davis
Guy Davis

Production Design

Blanca Lista
Blanca Lista

Co-Producer

Alexandre Desplat
Alexandre Desplat

Original Music Composer

Curt Enderle
Curt Enderle

Production Design

Frank Passingham
Frank Passingham

Director of Photography

Brian Leif Hansen
Brian Leif Hansen

Animation Supervisor

Robert DeSue
Robert DeSue

Art Direction

Sara Crowley
Sara Crowley

Production Manager

Melanie Coombs
Melanie Coombs

Production Supervisor

Andy Berry
Andy Berry

Assistant Art Director

Steve Pierson
Steve Pierson

Sound Recordist

Jan-Erik Maas
Jan-Erik Maas

Lead Animator

Ludovic Berardo
Ludovic Berardo

Lead Animator

Anthony Scott
Anthony Scott

Senior Animator

Cesar Diaz Melendez
Cesar Diaz Melendez

Senior Animator

Chris Tootell
Chris Tootell

Senior Animator

Jeff Riley
Jeff Riley

Senior Animator

Jody Meredith
Jody Meredith

Senior Animator

Kim Keukeleire
Kim Keukeleire

Senior Animator

Luis Téllez Ibarra
Luis Téllez Ibarra

Senior Animator

Malcolm Lamont
Malcolm Lamont

Senior Animator

Tim Allen
Tim Allen

Senior Animator

Matias Liebrecht
Matias Liebrecht

Senior Animator

Mike Cottee
Mike Cottee

Senior Animator

Payton Curtis
Payton Curtis

Senior Animator

Steve Warne
Steve Warne

Senior Animator

Suzanne Twining
Suzanne Twining

Senior Animator

Thiago Calçado
Thiago Calçado

Senior Animator

Emily Chiu
Emily Chiu

First Assistant Editor

Hamilton Barrett
Hamilton Barrett

First Assistant Editor

Jared Bumgarner
Jared Bumgarner

First Assistant Director

Jared Bumgarner
Jared Bumgarner

Schedule Coordinator

Brad Burns
Brad Burns

Second Assistant Director

Holly Werner
Holly Werner

Second Assistant Director

Lotty Vigue
Lotty Vigue

Third Assistant Director

Liz Schachterle
Liz Schachterle

Third Assistant Director

Calvin Davis
Calvin Davis

Third Assistant Director

Joe Statom
Joe Statom

Animation

Kyle Rossi
Kyle Rossi

Animation

Peggy Arel
Peggy Arel

Animation

Tina Hsu
Tina Hsu

Animation

Alexandre Desplat
Alexandre Desplat

Executive Music Producer

Brian Ormiston
Brian Ormiston

Story Artist

Edgar Martins
Edgar Martins

Story Artist

Graham Annable
Graham Annable

Story Artist

Keely Propp
Keely Propp

Story Artist

Pieter Kroon
Pieter Kroon

Story Artist

Anthony Stacchi
Anthony Stacchi

Additional Storyboarding

Bridget Underwood
Bridget Underwood

Additional Storyboarding

Dan O'Connell
Dan O'Connell

Foley Artist

John T. Cucci
John T. Cucci

Foley Artist

Tavish Grade
Tavish Grade

Foley Mixer

Jack Cucci
Jack Cucci

Foley Mixer

Walt Perez
Walt Perez

Production Assistant



Reviews

CinemaSerf

⭐ 7/10

December 3, 2022

Set against the rise of Mussolini, this adaptation of the Collodi story draws parallels with the adventures of the eponymous puppet and the fascist's coming to power in Italy. The stop-motion animation is vibrant and simply gorgeous as the old carpenter "Geppetto" lives happily with his young son "Carlo" until the war intervenes and he is robbed of his very essence. It is whilst in the depths of his despair that he decides to carve a puppet, and … read the rest.

Manuel São Bento

⭐ 8/10

December 7, 2022

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/guillermo-del-toro-pinocchio-spoiler-free-review

"Pinocchio retells the famous tale of the wooden puppet through visually lovely stop-motion animation, featuring several bold narrative changes that make this remake more human, emotional, and thematically profound than so many other adaptations.

Unforgettable dialogues about loss, love, and being the best version of ourselve… read the rest.

Chris Sawin

⭐ 8/10

December 14, 2022

Guillermo del Toro has crafted a darker yet equally emotional version of _Pinocchio_. It is exquisitely and intricately animated with rich textures, gorgeous lighting, and mostly welcome character reinventions. The transition to Fascist Italy fits del Toro’s vision well, but the changes remove and alter enjoyable story elements that are surely missed. _Pinocchio_ is absolutely a contender for this year’s best-animated film, but it is a film that … read the rest.

Dark Jedi

⭐ 7/10

December 21, 2022

I didn’t even know that Guillermo del Toro had made an adaptation of Pinocchio until my daughter and oldest son told me they wanted to watch it during our traditional movie evening yesterday. Wow, that was a different take on Pinocchio indeed.

Pinocchio, the original, is not surprisingly, one of the movies I watched as a kid and which is quite dear to me. A movie from the time when the name Disney actually meant something and when they made ac… read the rest.

r96sk

⭐ 7/10

January 2, 2023

It's good, even if I wouldn't say it's anything better or worse than its Disney animated counterpart - at least it is a marked improvement on that aforementioned company's remake, mind.

The big win of <em>'Guillermo del Toro’s Pinocchio'</em> is the stop-motion animation, which is extremely nice indeed. As for everything else? Nothing leaps out of my mind if I'm honest, even within 30mins of watching it. I personally found the design of the ti… read the rest.

badelf

⭐ 7/10

April 10, 2023

I'm not sure why everyone compares this to Disney's version. They both stole the main characters from Carlo Collodi's 19th century book. My father used to read it to me. Sure, Guillermo took a much bigger artistic license than Disney. So what? What modern director even attempted to be completely faithful to a book except Peter Jackson?

That said, there quite a few logic holes in Guillermo del Toro's version that took me right out of suspended … read the rest.

Crazypiglady

⭐ 6/10

June 2, 2023

More true to the original vibe of the story than the Disney version but the parallels of the Italian fascists could have had more of an impact. The family tragedy did have an impact though which was very moving. The idea of 'Love will give you life' is great but as we all know, isn't true which hindered any inspiration. It would be great if there were good and (fairly) evil spirits (and if there were I'd like mine played by Tilda Swinton please) … read the rest.

Status

Released

Original Language

EN

Budget

$35,000,000

Revenue

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