March 27, 2022

Well, it is certainly different and quirky - but how realistic is it? A young couple discover that she (Leah McKendrick) has terminal cancer. It is naturally a huge blow to her husband "Beau" (Patrick Zeller) and bisexual brother "Caden" (Matt Pascua). This is where it all starts to come of the rails for me: she decides as it appears that her brother and husband seem to bond well, that they ought to take their relationship to the next level, even… read the rest.

Well, it is certainly different and quirky - but how realistic is it? A young couple discover that she (Leah McKendrick) has terminal cancer. It is naturally a huge blow to her husband "Beau" (Patrick Zeller) and bisexual brother "Caden" (Matt Pascua). This is where it all starts to come of the rails for me: she decides as it appears that her brother and husband seem to bond well, that they ought to take their relationship to the next level, even though the husband is straight. What now occurs, though well shot and, actually, quite well performed, is just a little too idealistic and far-fetched for me, sorry. In it's search for a satisfactory ending, it jettisons everything that could have given it authenticity and, even down to the romantic waterfall, just oozes way too much sentimentality. If it really did only have a budget of $36k, it has done a remarkable job with it.

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