February 11, 2021

The main lesson of this film may be “Never mistreat the garbage man, you don’t know how skilled of a gunslinger he is”. Kidding aside, it’s actually a great film about a character’s journey, and features a well written development hardly seen in Spaghetti Westerns, and still manages to be very entertaining.

The film tells the story of Scott (Giuliano Gemma), son of a prostitute and an unknown father, who is the garbage man in Clifton, and how… read the rest.

The main lesson of this film may be “Never mistreat the garbage man, you don’t know how skilled of a gunslinger he is”. Kidding aside, it’s actually a great film about a character’s journey, and features a well written development hardly seen in Spaghetti Westerns, and still manages to be very entertaining.

The film tells the story of Scott (Giuliano Gemma), son of a prostitute and an unknown father, who is the garbage man in Clifton, and how he rises to a position of influence in the town, thanks to the help of Frank Talby (Lee Van Cleef)’s lessons. Scott has a phenomenal arc, as he stays in between his own goals and personality and Talby’s pulling of his strings, until the inevitable confrontation between the two. The final conflict has one of the best examples of foreshadowing and character growth in the Spaghetti subgenre.

Lee Van Cleef gives a compelling, but “typecast” performance of the old gunfighter teaching important lessons to a young man. It was his third time landing a similar role, the first being in For a Few Dollars More, and the second being Death Rides a Horse. The difference being that in this movie, the “teacher” plays a villainous role, causing it to stand out.

Giuliano Gemma gives the performance of a lifetime, getting deep into his character of Scott. He has some of the best delivered lines in Spaghetti Western history, especially after his lessons, when he obtains an important position in the town’s hierarchy. The visible changes in posture, talking and expression as his character progresses are very remarkable.

The palette in this film, contrasting with many of its genre, is especially colorful, giving it a lively, almost cartoonish feeling. Examples of this are in the gambling house scenes, that are way more vividly colored than most westerns, not only at the time, but ever. That makes the whole experience of watching very enjoyable.

In conclusion, Day of Anger is a hidden gem of the Spaghetti Western. Counting with one of the few well-established character developments in the genre, great performances by two known faces of the era, and a vivid palette, this film should be able to please most audiences.

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February 8, 2026

Rather than just chuck their waste out of the window, the more demure residents of “Clifton” used the services of “Scott” (Giuliano Gemma) to collect their unmentionables in a bucket on a trailer, then take it out of town for a decent burial. He’s the son of a prostitute and would probably be treated appallingly by the townsfolk even if he didn’t smell like a sewer. Things change for the better a little, though, when wandering gunslinger “Talby” … read the rest.

Rather than just chuck their waste out of the window, the more demure residents of “Clifton” used the services of “Scott” (Giuliano Gemma) to collect their unmentionables in a bucket on a trailer, then take it out of town for a decent burial. He’s the son of a prostitute and would probably be treated appallingly by the townsfolk even if he didn’t smell like a sewer. Things change for the better a little, though, when wandering gunslinger “Talby” (Lee Van Cleef) hits town and takes a bit of a shine to this put-upon lad. Gradually, instead of him being picked upon he starts to be able to fend for himself. What brings “Talby” to this unremarkable town? Well we soon learn that he has something of a grudge to settle of his own, but where might that leave the newly empowered “Scott” - especially when his mentor begins to feel an hitherto unknown sensation of fear, and of his young protégé, too? Sure, there are shootouts a-plenty here but unlike in so many of this genre, there is a little of the more cerebral to both Gemma and LVC’s performances as their characters display brutishness, but with a certain degree of acceptability as we watch. Of course, absolute power and all that, so it is only a matter of time before the stags have to rut but along the way there is plenty of action, a fair amount of choreographed violence and some solid supporting efforts from the likes of José Calvo’s “Blind Bill” and from Yvonne Sanson’s brothel-keeping “Miss Skill”. It hits the ground running and if you like your revenge westerns with a few twists and turns, then you could do much worse than this.

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