November 13, 2019

This is a film that raises a lot of questions and only occasionally gives you answers. For most people that might be frustrating, but I prefer that in a film. Inception, Shutter Island, Primer, 2001, Mother!, Lost Highway - they all leave you wanting more, and that's exactly what I felt at the end of this beautiful microbudget film.

I feel like originiality is lacking from the cinema these days. Everything seems to be remake, sequel or franchi… read the rest.

This is a film that raises a lot of questions and only occasionally gives you answers. For most people that might be frustrating, but I prefer that in a film. Inception, Shutter Island, Primer, 2001, Mother!, Lost Highway - they all leave you wanting more, and that's exactly what I felt at the end of this beautiful microbudget film.

I feel like originiality is lacking from the cinema these days. Everything seems to be remake, sequel or franchise, so it's refreshing to find films like this.

The acting on show here, especially from Liam Blundell (Kino Warren) and Ross Leyshon (The Philistine) is full of range and intensity. Usually the first thing that suffers on lower budget films is performances, but that's really not the case here. If anything it's what gives the bizarre events throughout such emotional weight.

It's really well shot by Andrew Toovey, the music by Sebastian Moody took my breath away, and the ideas in the script are out of this world! I feel like it could've been maybe five minutes or so shorter in a couple of places, but that's minor criticism for a film this rich and profound. The ending moved me greatly and I look forward to watching it again soon. Highly recommend!

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