September 25, 2014

Drink to Me Only with Thine Eyes.

The Moon is Blue is one of those olde rom-coms that nowadays has the ability to baffle us as to how it caused such ripples in the movie world back in the day. But ripples it did stir, and all told it's a pretty effective study of manners, etiquette and sexual understandings.

Directed by Otto Preminger and based on F. Hugh Herbert's cheeky play of the film's title, it stars William Holden, David Niven and Ma… read the rest.

Drink to Me Only with Thine Eyes.

The Moon is Blue is one of those olde rom-coms that nowadays has the ability to baffle us as to how it caused such ripples in the movie world back in the day. But ripples it did stir, and all told it's a pretty effective study of manners, etiquette and sexual understandings.

Directed by Otto Preminger and based on F. Hugh Herbert's cheeky play of the film's title, it stars William Holden, David Niven and Maggie McNamara. Plot essentially revolves around McNamara holding onto her virginity as the male predators close in. If she holds firm she will of course snare the man she is meant to be with.

It's a bit talky and too mired in its stage origins at times, but there's a waspish deliberation about the humour that holds attention and the performances, in conjunction with Preminger's agile camera techniques, are well worth investment.

More curio than essential cinema, but enjoyable and rich with characterisations of worth. 7/10
The Moon is Blue is one of those olde rom-coms that nowadays has the ability to baffle us as to how it caused such ripples in the movie world back in the day. But ripples it did stir, and all told it's a pretty effective study of manners, etiquette and sexual understandings.

Directed by Otto Preminger and based on F. Hugh Herbert's cheeky play of the film's title, it stars William Holden, David Niven and Maggie McNamara. Plot essentially revolves around McNamara holding onto her virginity as the male predators close in. If she holds firm she will of course snare the man she is meant to be with.

It's a bit talky and too mired in its stage origins at times, but there's a waspish deliberation about the humour that holds attention and the performances, in conjunction with Preminger's agile camera techniques, are well worth investment.

More curio than essential cinema, but enjoyable and rich with characterisations of worth. 7/10

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