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Crimes of the Future (2022)

May 25, 2022 (CA) Science Fiction, Horror, Thriller • 107m

Overview

With his partner Caprice, celebrity performance artist Saul Tenser publicly showcases the metamorphosis of his organs in avant-garde performances. An investigator from the National Organ Registry obsessively tracks their movements, which is when a mysterious group is revealed... Their mission — to use Tenser's notoriety to shed light on the next phase of human evolution.

Keywords

Top Billed Cast

Crew
Howard Shore
Howard Shore

Original Music Composer

Carol Spier
Carol Spier

Production Design

Panos Kondylis
Panos Kondylis

Makeup Department Head

Goran Delic
Goran Delic

Concept Artist

Peter McAuley
Peter McAuley

Visual Effects Supervisor

Maria Tsigonia
Maria Tsigonia

Set Costumer

Christian T. Cooke
Christian T. Cooke

Sound Re-Recording Mixer

Jill Purdy
Jill Purdy

Supervising Sound Editor

Mark Zsifkovits
Mark Zsifkovits

Sound Re-Recording Mixer

Tom Bjelic
Tom Bjelic

Sound Designer

Dimitra Sourlantzi
Dimitra Sourlantzi

Set Decoration

Vasilis Gkikas
Vasilis Gkikas

Stunt Double

Leonidas Kirolari
Leonidas Kirolari

Special Effects Assistant

Dimitris Tsiakkas
Dimitris Tsiakkas

Special Effects Assistant

Roulis Alahouzos
Roulis Alahouzos

Special Effects Coordinator

Sophia Argyrou
Sophia Argyrou

Special Effects Assistant

George Alahouzos
George Alahouzos

Special Effects Supervisor

George Koumpoulis
George Koumpoulis

Special Effects

Aris Veremis
Aris Veremis

Special Effects Assistant

Andy Robinson
Andy Robinson

Visual Effects Compositor

Peter Bas
Peter Bas

Digital Compositor

Christa Tazzeo
Christa Tazzeo

Executive Visual Effects Producer

Christelle Conan
Christelle Conan

Executive Producer

Aida Tannyan
Aida Tannyan

Executive Producer

Thorsten Schumacher
Thorsten Schumacher

Executive Producer

Peter Touche
Peter Touche

Executive Producer

Joe Iacono
Joe Iacono

Executive Producer

Monica Pavez
Monica Pavez

Prosthetics

Marios Delias
Marios Delias

Second Assistant Camera

Yiannis Maragoudakis
Yiannis Maragoudakis

Best Boy Electric

Petros Tsampakouris
Petros Tsampakouris

Digital Imaging Technician

Spiros Rekounas
Spiros Rekounas

Lighting Technician

Eleni Lola
Eleni Lola

Second Assistant Camera

Nikos Charitos
Nikos Charitos

Video Assist Operator

Giorgos Satolias
Giorgos Satolias

Rigging Gaffer

Hronis Tzimos
Hronis Tzimos

Key Hair Stylist

Haris Pournias
Haris Pournias

Lighting Technician

Petros Chytiris
Petros Chytiris

Extras Casting

Douglas Wilkinson
Douglas Wilkinson

Post-Production Manager

Veselin Rusev
Veselin Rusev

Electrician

Dimitris Apostolidis
Dimitris Apostolidis

Assistant Hairstylist

Nikos Nikolopoulos
Nikos Nikolopoulos

Still Photographer

Andreas Evdemon
Andreas Evdemon

Steadicam Operator

Dionysia Dimitrakelou
Dionysia Dimitrakelou

Assistant Production Manager

Anna Deligianni
Anna Deligianni

Background Casting Director

Mikaela Savvidi
Mikaela Savvidi

Lighting Technician

Nikolas Sfyrakis
Nikolas Sfyrakis

Extras Casting

Douglas Koch
Douglas Koch

Director of Photography

Jeff Deutchman
Jeff Deutchman

Executive Producer

Nefeli Rapti
Nefeli Rapti

Script Supervisor

Charles Tremblay
Charles Tremblay

Co-Executive Producer

Victor Loewy
Victor Loewy

Co-Executive Producer

Christian Parkes
Christian Parkes

Executive Producer

Victor Hadida
Victor Hadida

Co-Executive Producer

Maria Laskaridou
Maria Laskaridou

Associate Producer

Bonnie Do
Bonnie Do

Associate Producer

Ariane Giroux-Dallaire
Ariane Giroux-Dallaire

Co-Executive Producer

Mayou Trikerioti
Mayou Trikerioti

Costume Design

Ken A. Smith
Ken A. Smith

Second Assistant Director

Katerina Giannakopoulou
Katerina Giannakopoulou

Third Assistant Director

David Warry-Smith
David Warry-Smith

First Assistant Director

Stefanos Efthymiou
Stefanos Efthymiou

Production Sound Mixer

Andreas Papanikolas
Andreas Papanikolas

Art Department Coordinator

Alexandra Anger
Alexandra Anger

Makeup Department Head

Elena Priovolou
Elena Priovolou

Production Supervisor

Tasos Selimos
Tasos Selimos

Boom Operator

Luis Freitas
Luis Freitas

First Assistant Editor

Shari Spier
Shari Spier

Graphic Designer

Douglas Wilkinson
Douglas Wilkinson

Post Production Supervisor

Justin Stephenson
Justin Stephenson

Title Designer

Justin Helle
Justin Helle

Foley Mixer

Kayden Anderson
Kayden Anderson

Visual Effects Producer

Tom Turnbull
Tom Turnbull

Visual Effects Supervisor

Tom Quinn
Tom Quinn

Executive Producer

Daniela Pinto
Daniela Pinto

Assistant Sound Editor



Reviews

the_blueeyes

July 24, 2022

Nonsensical incoherent movie that was hard to watch, and i turned it off after 30 min.
It clearly written with a good amount of shock value, but the only shock i got was my finger to press "off" button.
Cronenberg has made some good body horror in the past, but this was just rubbish.

CinemaSerf

⭐ 6/10

September 19, 2022

Whilst certainly nowhere near his best, this is still quite an intriguing drama from David Cronenberg. It all centres around "Saul Tenser" (Viggo Mortensen) who uses his own body to grow (or "cook") extra organs which he and his assistant "Caprice" (Léa Seydoux) extract as part of rather gruesome, but popular, theatrical performances. Meantime, "Dotrice" (Scott Speedman) is reeling from the suffocation of his young plastic-eating son (by his own … read the rest.

Manuel São Bento

⭐ 7/10

October 16, 2022

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/opinion-pieces/what-do-both-dont-worry-darling-and-crimes-of-the-future-have-in-common

"Personally, I believe that cinematic narratives with multiple plot points and questions related to the world itself are too often confused and envisioned as character studies driven by a single protagonist.

Both Olivia Wilde and David Cronenberg complete their movies when the main character fulfills t… read the rest.

r96sk

⭐ 7/10

February 20, 2023

Not the most enjoyable of watches, it meanders a bit, though <em>'Crimes of the Future'</em> is most certainly interesting throughout.

I tend to find films like this a little hit-and-miss, as I personally find the constant reaching for shock value or just simple weirdness a bit too forced. And this film does that a few times, but to be fair as the run time was ticking by I could definitely feel myself becoming more and more intrigued by events… read the rest.

Status

Released

Original Language

EN

Budget

$27,000,000

Revenue

$4,551,565

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