May December (2023)

November 16, 2023 (US) • Drama • 117m

Overview

Twenty years after their notorious tabloid romance gripped the nation, a married couple buckles under the pressure when an actress arrives to do research for a film about their past.

Director

Samy Burch, Samy Burch, Alex Mechanik

Top Billed

Natalie Portman

Keywords

infidelity sexual abuse dark comedy based on true story statutory rape pedophile boundary violations older woman younger man relationship existentialism dramedy candid baker method acting reflective savannah georgia complex father son relationship grand melodrama provocative actress tense audacious inflammatory melodramatic scathing wry

Where to watch

Free / Included

Netflix

Netflix Standard with Ads

Top Billed Cast

Crew

Reviews

Lachlan Thiele

⭐ 8/10

May 29, 2023

INT. MOCKING-MOORE - DAY 

May December is an excellent satire with incredibly dark themes at times. Portman's Elizabeth is an actress tasked with researching her next role, a movie based on the massively dramatised life of Julianne Moore's character. Moore and Portman shine in their roles, and both can create believable characters whilst still pushing the unbelievable humour and situations they are put in. Portman, mainly with he… read the rest.

CinemaSerf

⭐ 7/10

October 19, 2023

This actually reminded me a little of "All About Eve" (1950) as television actress "Elizabeth" (Natalie Portman) arrives at the home of "Gracie" (Julianne Moore) about whom she is to star in a biopic. Initially welcoming of her and keen to help, we follow the changing dynamic as we learn that "Gracie" has quite a past, and that her husband of 20-odd years, "Joe" (Charles Melton) is considerably younger than her and there was quite a furore when t… read the rest.

Brent Marchant

⭐ 5/10

November 24, 2023

In moviemaking, there’s subtlety, and then there’s subtlety carried too far. In the case of director Todd Haynes’s latest, the filmmaker unfortunately indulges himself far too much in the latter. This story of an actress (Natalie Portman) who visits a middle-aged sex offender (Julianne Moore) to prepare for a role she’s about to play in a movie about her subject’s life never seems to find a footing to stick with and explore. The narrative examines many different aspects of the back story behind the lives of the characters to be portrayed in this pending production without ever really resolving any of them by the time the credits roll. This includes not only the protagonist’s reasons for pursuing her once-underage husband (Charles Melton) – actions that got her jailed and made her fodder for countless tawdry tabloid cover stories – but also the nature of the actress’s real motivations in conducting such an excessively intense in-depth study of her character. In the process, virtually everyone comes across as somewhat unsavory, and, considering that the truth is never clearly revealed about any of them, it begs the question, why should we care about any of this? The film depicts all of this so subtly that it goes beyond nuance, veering into the realm of enigmatic, thereby further reinforcing the notion of why any of us should care. Ironically, these underplayed elements are in stark contrast to some rather obvious (and terribly trite) symbolism, particularly in images related to themes of transition and transformation. The picture’s inconsistent changes in tone don’t help, either, vacillating between allegedly serious drama and a seemingly underdeveloped desire to break out as an exercise in full-fledged camp (which, by the way, probably would have made this a much better offering). The script’s meandering flow and glacial pacing also don’t help, leaving viewers scratching their heads more often than not as to where this story is headed. In the end, all of the foregoing is ultimately quite unfortunate, because there’s definite potential in this project, but it’s never adequately defined and fleshed out. Leads Moore and (especially) Portman turn in admirable efforts to make this material fly, but they simply don’t have enough to work with to make that happen. While there appear to be allusions to themes like the difficulty involved in dealing with long-buried feelings and the fact that we may never be able to adequately grasp the truth behind them (either as outsiders looking in or as active participants in the midst of such dealings), the cryptic handling of those ideas undermines whatever meaningful messages or cinematic value they might have, making all of this seem like just such a big waste of time. Director Haynes has an impressive filmography behind him with such releases as “Poison” (1991), “Far From Heaven” (2002) and “Dark Waters” (2019), but, regrettably, “May December” certainly can’t be counted as part of that list.

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r96sk

⭐ 7/10

January 22, 2024

Bit of a odd one. It gradually lost my attention a little the longer it went on, though overall it's a film I'd consider as interesting.

I know of the real life story that 'May December' is "loosely" based upon, so it was intriguing early on to see how the film was going to tackle it. I think they did a good enough job with it all, the actress meeting the subject element makes the film more watchable than it otherwise would have been.… read the rest.

justhappytobehere

⭐ 6/10

January 22, 2024

Mostly a boring affair, with a few nice pieces of performance from time to time. Portman was never a good actor and she delivers another dead eyed performance. Moore was quite good and so was the man child. I guess check it out or not, it really doesn't matter.