Still Time (2023)

March 16, 2023 (IT) • Romance, Comedy, Drama • 108m

Overview

Dante accidentally kisses Alice and they get engaged. After a surprise party for his 40th birthday, he wakes up a year later, not remembering what happened. Not only does he discover that Alice is pregnant... He feels time is passing too quickly and he starts forgetting some of the most important moments of his life.

Director

Alessandro Aronadio

Writers

Alessandro Aronadio, Renato Sannio

Top Billed

Edoardo Leo

Keywords

husband wife relationship birthday time travel

Where to watch

Free / Included

Netflix

Netflix Standard with Ads

Top Billed Cast

Edoardo Leo

Dante

Barbara Ronchi

Alice

Mario Sgueglia

Valerio

Francesca Cavallin

Francesca

Raz Degan

Omar

Massimo Wertmüller

Marcello

Stella Trotta

Galadriel (5 - 7 Anni)

Andrea Purgatori

Terapeuta

Alla Krasovitzkaya

Olga

Angelo Tanzi

Direttore

Alessio Genchi

Collega 1

Barnaba Bonafaccia

Collega 2

Luca Confortini

Dottor Giuliani

Luigi Cesolini

Collaboratore Giuliani

Chiara Shufflebotham

Fidanzata Festa 2010

Sebastiano Re

Fidanzato Festa 2010

Mario De Candia

Medico

Myriam Lugarà

Invitata 2016

Valentina Pastore

Federica

Daniele Parisi

Falegname (voce)

Crew

Alessandro Aronadio

Writer

Renato Sannio

Writer

Alessandro Aronadio

Director

Lara Sikic

Set Decoration

Martina Tamburri

Makeup Artist

Cesare Capuano

Assistant Property Master

Marco Capuano

Property Master

Matteo Mandelli

First Assistant Director

Jamie Hilton

Executive Producer

Luca John Rosati

Second Unit Director

Paolo Giuliani

Sound Engineer

Mario Baluci

Digital Compositor

Alessandro Novelli

Stunt Coordinator

Carlo Degli Esposti

Producer

Michael Pontin

Executive Producer

Roberto Di Tanna

Editor

Gabriella Giannattasio

Casting

Cristina Tacchino

Line Producer

Myriam Lugarà

Assistant Director Trainee

Silvia Castellani

Extras Casting Coordinator

Elisa Calamari

Production Assistant

Elena Minesso

Costume Design

Laura Borselli

Makeup Department Head

Tobia Calevi

Unit Manager

Davide Marchi

Assistant Production Design

Luca Auletta

Visual Effects Supervisor

Amanda Di Giorgio

Visual Effects Production Assistant

Ezio Gamba

Camera Operator

Angelo Santini

Assistant Editor

Cristina Festa

Location Manager

Cristiano Donzelli

Storyboard Artist

Annalisa Poiese

Art Department Trainee

Roberto Forza

Director of Photography

Daniele Frabetti

Production Design

Camilla Cionfoli

Assistant Production Coordinator

Stefano Cenname

Property Master

Niccolò Gabriele

Graphic Designer

Deborah Zangrilli

Assistant Production Design

Piergiuseppe Serra

Executive Producer

Sara Lombardi

Hair Department Head

Mauro Aversano

Stunts

Gianni Aldi

Steadicam Operator

Ilenia Galasso

Assistant Editor

Vittorio Paladino

Production Assistant

Riccardo Russo

Producer

Nicola Serra

Producer

Santi Pulvirenti

Music

Alessandro Cottone

First Assistant Camera

Islam Deyab

Electrician

Dario Ramaglia

Dialogue Editor

Mario Baluci

Visual Effects Supervisor

Cesare Guarino

Best Boy Grip

Quentin de Fouchécour

Post Production Supervisor

Lorenzo Sammicheli

Production Assistant

Giuseppe Meloni

Gaffer

Christian Peccolo

Grip

Maura Casaburi

Seamstress

Mauro Misino

Grip

Emiliano Rago

Electrician

Eleonora Barbiero

Casting Assistant

Christian Gazzi

Colorist

Flavio Della Rocca

Unit Manager

Nicoletta Osci

Second Assistant Director

Cristiano Ciccone

Sound Re-Recording Mixer

Luca Auletta

Digital Compositor

Piero Bosi

Key Grip

Matteo Libertini

Production Assistant

Emiliano Canevari Intoppa

Camera Operator

Maria Federica Razza

Extras Casting

Benedetta Lepri

Script Supervisor

Lisa Bof

Second Assistant Camera

Simone Cirillo

Second Assistant Camera

Giorgia Mosciarello

Production Accountant

Elda Baldi

Unit Production Manager

Marco Capuano

Leadman

Roberto Calfapietra

Best Boy Electric

Elisa Bernocchi

Production Coordinator

Francesca Brugioni

Hairstylist

Daniele Andrini

Video Assist Operator

Andrea Zannini

Production Assistant

Thomas Giorgi

Sound Effects Editor

Elio Gentile

Digital Imaging Technician

Filippo Tripicchio

Electrician

Lavinia Bonsignore

Assistant Costume Designer

Luca Enrico Capuano

Online Editor

Ivana Cardaropoli

Accountant

Davide Zurolo

Casting

Alberto Fazolo

Assistant Property Master

Vittoria Giampaolini

Assistant Set Dresser

Andrea Germano

Boom Operator

Gianni Aldi

Camera Operator

Lorenzo Bottiglieri

Data Management Technician

Damiano Di Giacomo

Assistant Costume Designer

Gianmarco Palluzi

Boom Operator

Reviews

Marco-Hugo Landeta Vacas

⭐ 7/10

January 22, 2026

(CASTELLANO) Hay algo muy reconocible en Ya era hora: esa sensación de ir siempre con prisa, de vivir con la cabeza en lo siguiente mientras la vida real pasa por el rabillo del ojo. La película juega con una idea conocida y nada revolucionaria, pero lo hace con una calidez que termina ganándote. No pretende reinventar nada, y quizá por eso funciona mejor cuando se limita a contar su historia sin grandes alardes.

Es una tragicomedia italiana con moralina, sí, pero también con cierto encanto. El mensaje es claro desde muy pronto y no se esfuerza demasiado en ocultarlo, aunque tampoco resulta especialmente molesto. Hay humor, hay tristeza y hay momentos que, sin ser brillantes, conectan porque hablan de algo muy cotidiano: el tiempo que se nos escapa mientras creemos tenerlo todo bajo control.

Es verdad que la película recuerda mucho a otros relatos similares y que la originalidad no es precisamente su punto fuerte. En algunos tramos se vuelve algo repetitiva y uno puede anticipar hacia dónde va todo. Aun así, tiene buen corazón y una mirada bastante honesta sobre el desgaste personal, el trabajo y las relaciones que se van descuidando casi sin darnos cuenta.

Las interpretaciones cumplen, sin deslumbrar, pero con la naturalidad suficiente para que los personajes resulten cercanos. No hay grandes escenas memorables, pero sí pequeños momentos que funcionan por acumulación, como si la película avanzara más por insistencia emocional que por impacto narrativo.

Al final, Ya era hora es una de esas películas que no dejan huella profunda, pero tampoco molestan. Se ve con agrado, invita a bajar un poco el ritmo y, aunque no descubra nada nuevo, recuerda algo que a veces hace falta escuchar. A veces, con eso, ya es suficiente.

(ENGLISH) There is something very recognizable in Still Time: that feeling of always being in a rush, of living with your mind set on what comes next while real life slips by out of the corner of your eye. The film plays with a familiar idea and is far from revolutionary, but it does so with a warmth that eventually wins you over. It doesn’t try to reinvent anything, and perhaps that’s why it works best when it simply tells its story without big flourishes.

It’s an Italian tragicomedy with a clear moral, yes, but also with a certain charm. The message is evident quite early on and doesn’t make much effort to hide it, although it never becomes especially irritating. There is humor, there is sadness, and there are moments that, without being brilliant, connect because they speak about something very everyday: the time that slips away while we believe we have everything under control.

It’s true that the film strongly recalls other similar stories and that originality is not its strongest point. At times it becomes a bit repetitive, and it’s easy to anticipate where everything is heading. Even so, it has a good heart and a fairly honest look at personal exhaustion, work, and relationships that slowly get neglected almost without us noticing.

The performances do their job, without dazzling, but with enough naturalness for the characters to feel close and recognizable. There are no major unforgettable scenes, but rather small moments that work through accumulation, as if the film moved forward more through emotional insistence than narrative impact.

In the end, Still Time is one of those films that doesn’t leave a deep mark, but doesn’t bother either. It’s an easy, pleasant watch that invites you to slow down a little and, even if it doesn’t discover anything new, reminds you of something that sometimes needs to be said. And sometimes, that is more than enough.

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Still Time (2023)

Alessandro Aronadio, Renato Sannio

Where to watch

Top Billed Cast

Crew

Reviews

Marco-Hugo Landeta Vacas

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Status

Original Language

Budget

Revenue

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