November 9, 2022

This is quite a touching, if very intrusive, look at the final weeks of former entrepreneur Eli Timoner. Being the victim of a freak stroke during a routine massage, his career was quite literally stopped in it's tracks as he, and his wife and three children, had to adapt to his increasingly disabling mobility issues and to the concomitant financial consequences of his inability to work. Now, at the age of 92, this lucid and engaging individual h… read the rest.

This is quite a touching, if very intrusive, look at the final weeks of former entrepreneur Eli Timoner. Being the victim of a freak stroke during a routine massage, his career was quite literally stopped in it's tracks as he, and his wife and three children, had to adapt to his increasingly disabling mobility issues and to the concomitant financial consequences of his inability to work. Now, at the age of 92, this lucid and engaging individual has had enough and so wishes to avail himself of his right to a medically assisted death. The political aspects of this documentary illustrate well the trauma the man himself and the family are put through as the regulations require clinical evaluation and for him to physically administer the doses himself - one heck of task for this frail gent. Doubtless this thread of the film will elicit a great many views on the right to die, and taken objectively this has valid comment to make that clearly contributes to that debate. Sadly, though, as we begin to follow the final days of his life - on an almost day-by-day basis - I found myself feeling increasingly uncomfortable. Not with the topic, but with the intimacy of the filming that was, essentially, none of my business. Daughter Ondi, who was behind virtually every aspect of this production, seems intent on sharing the most private moments of this rather emotionally charged environment. Her style of story-telling is supremely self-indulgent, and her attitude to her mother (who comes across as less enthusiastic participating in this audio-visual farewell to her husband of a great may years) really annoyed me. Indeed, as the documentary concluded I found the whole thing became less and less appropriate for general viewing. An ideal video-eulogy for the family, certainly, but for ordinary cinema goes it just felt that I was trespassing on their familial ordeal and, ultimately, grief. Perhaps my attitude is tainted by own beliefs regarding euthanasia, but this film quickly stops being about that and develops into something I found became far more about the daughter than the issue at hand.

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