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Under the Skin (2014)

March 14, 2014 (GB) • Thriller, Science Fiction, Drama • 108m

Overview

A seductive stranger prowls the streets of Glasgow in search of prey: unsuspecting men who fall under her spell.

Keywords

Top Billed Cast

Crew
Steve Browell
Steve Browell

Sound Effects Editor

Emer O'Sullivan
Emer O'Sullivan

Art Direction

Johnnie Burn
Johnnie Burn

Sound Designer

Jon Colson
Jon Colson

Greensman

Eugene Strange
Eugene Strange

Location Manager

Chris Oddy
Chris Oddy

Production Design

Tony Turner
Tony Turner

Special Effects

Tom Debenham
Tom Debenham

Visual Effects Supervisor

Gerard McCann
Gerard McCann

Music Editor

Andrew Quinney
Andrew Quinney

Boom Operator

Earle Stuart Callender
Earle Stuart Callender

Visual Effects Producer

Clementine Charity
Clementine Charity

Costume Supervisor

Claire Hewitt
Claire Hewitt

Script Supervisor

Antony Bluff
Antony Bluff

Visual Effects Producer

Ed Downham
Ed Downham

Sound Effects Editor

Steve Single
Steve Single

Sound Re-Recording Mixer

Stephen Noble
Stephen Noble

Costume Design

Johnnie Burn
Johnnie Burn

Supervising Sound Editor

Dominic Parker
Dominic Parker

Visual Effects Supervisor

Michael Campbell
Michael Campbell

Location Scout

Sean Barclay
Sean Barclay

Location Scout

Gareth Milne
Gareth Milne

Stunt Coordinator

Ian Hutchinson
Ian Hutchinson

Executive Producer

Tiffany M. Carpenter
Tiffany M. Carpenter

Graphic Designer

Mica Levi
Mica Levi

Original Music Composer

Daniel Landin
Daniel Landin

Director of Photography

Nick Heckstall-Smith
Nick Heckstall-Smith

First Assistant Director

Huseyin Caner
Huseyin Caner

Visual Effects Supervisor

Georgie Fallon
Georgie Fallon

Production Coordinator

Helen Barrett
Helen Barrett

Makeup Artist

Deborah Hecht
Deborah Hecht

Dialect Coach

Paul Dawber
Paul Dawber

Assistant Editor

Tim Field
Tim Field

Visual Effects Producer

Jay James
Jay James

Music Supervisor

Joe Mount
Joe Mount

Foley Editor

Evan Jolly
Evan Jolly

Orchestrator

Niall O'Brien
Niall O'Brien

Still Photographer

Peter Raeburn
Peter Raeburn

Music Editor

Peter Raeburn
Peter Raeburn

Music Supervisor

Christine Beveridge
Christine Beveridge

Makeup Designer

Fergus Cook
Fergus Cook

Production Assistant

Susie Lee
Susie Lee

Third Assistant Director

Stephen Carney
Stephen Carney

Third Assistant Director

Peter Raeburn
Peter Raeburn

Music Producer

Mark Murdoch
Mark Murdoch

Second Assistant Director

Steven Little
Steven Little

Assistant Production Coordinator

Livia Burton
Livia Burton

Production Manager

Jack Ivins
Jack Ivins

Floor Runner

Mark Rossi
Mark Rossi

Floor Runner

Alex McKay
Alex McKay

Third Assistant Director

Richard Lloyd
Richard Lloyd

Post Production Supervisor

David Taylor
David Taylor

Assistant Location Manager

Simon Surtees
Simon Surtees

Clapper Loader

Nigel Albermaniche
Nigel Albermaniche

Production Sound Mixer

Alan Harley
Alan Harley

Dressing Prop

Helen Allingham
Helen Allingham

Art Department Assistant

Matt Mooney
Matt Mooney

Dressing Prop

Brodie Pringle
Brodie Pringle

Unit Manager

Morven Macpherson
Morven Macpherson

Location Assistant

Chris McMillan
Chris McMillan

Standby Property Master

Ben Lewens
Ben Lewens

Special Effects

David Wilson
David Wilson

Electrician

Mark Purvis
Mark Purvis

Digital Imaging Technician

Craig Menzies
Craig Menzies

Property Buyer

David Ritchie
David Ritchie

Electrician

Paul Cutler
Paul Cutler

Standby Property Master

Marilyn Edmond
Marilyn Edmond

Third Assistant Director

Derrick Peters
Derrick Peters

Focus Puller

Caroline Stewart
Caroline Stewart

Casting Associate

David Gilchrist
David Gilchrist

Second Unit First Assistant Director

Simon Surtees
Simon Surtees

Focus Puller

Tom Sparks
Tom Sparks

Digital Compositor

Nicholas Zissimos
Nicholas Zissimos

Digital Compositor

Neil Cairns
Neil Cairns

Production Accountant

Paul Zieleniec
Paul Zieleniec

Assistant Accountant

Jim Elliott
Jim Elliott

Property Master

Ross Grainger
Ross Grainger

Generator Operator

Tom Walker
Tom Walker

Standby Carpenter

Stuart Howell
Stuart Howell

"A" Camera Operator

Stuart Howell
Stuart Howell

Steadicam Operator

John Booth
John Booth

Standby Property Master

Ken Batten
Ken Batten

Special Effects

Kate McConnell
Kate McConnell

Prosthetic Supervisor

Marianne Gallagher
Marianne Gallagher

Art Department Trainee

Carly Parris
Carly Parris

Property Buyer

Sam Hue Vashon
Sam Hue Vashon

Special Effects

Sunita Parmar
Sunita Parmar

Prosthetics

Ian Jones
Ian Jones

Prosthetics

Georgina Gordon-Smith
Georgina Gordon-Smith

Art Department Assistant

Nathan Mann
Nathan Mann

Focus Puller

Bryn Duffy
Bryn Duffy

Sound Assistant

Nicki McCallum
Nicki McCallum

Assistant Art Director

Philip Barrett
Philip Barrett

Graphic Designer

Tom Curtis
Tom Curtis

Prosthetics

John MacTavish
John MacTavish

Camera Trainee

Paul Bates
Paul Bates

Best Boy Electric

Alison Young
Alison Young

Location Scout

Roddy Garden
Roddy Garden

Dressing Prop

Mark Curtis
Mark Curtis

Special Effects Supervisor

Luke Coulter
Luke Coulter

Clapper Loader

Rebecca Cain
Rebecca Cain

Prosthetics

Danny Jackson
Danny Jackson

Casting Assistant

Callum Milne
Callum Milne

Electrician

Paul Imrie
Paul Imrie

Assistant Accountant

Martin McNee
Martin McNee

Standby Art Director

Derek Fraser
Derek Fraser

Construction Manager

Nat Van Halle
Nat Van Halle

Costume Standby

Andy Walsh
Andy Walsh

Special Effects

David Plewis
David Plewis

Special Effects

Tony Skinner
Tony Skinner

Special Effects

Annie Toop
Annie Toop

Prosthetics

Matt Wesson
Matt Wesson

Underwater Camera

Iain Canning
Iain Canning

Production Assistant

Imogen Toner
Imogen Toner

Art Department Assistant

Abigail Scollay
Abigail Scollay

Digital Compositor

Mike Pope
Mike Pope

Digital Compositor

Jason Swanscott
Jason Swanscott

Foley Artist

Trevor Evans
Trevor Evans

Production Coordinator

Lewis Saunders
Lewis Saunders

Digital Compositor

Jake Jackson
Jake Jackson

Scoring Mixer

Tom Savage
Tom Savage

Epk Director

Joe Yabsley
Joe Yabsley

Prosthetics

Anna Smith
Anna Smith

Art Department Trainee

Alex Teale
Alex Teale

Camera Trainee

Mark Murdoch
Mark Murdoch

Production Manager

Luis Almau
Luis Almau

Score Engineer

Mark Farrow
Mark Farrow

Title Designer

Tom Debenham
Tom Debenham

Second Unit Director

Alasdair Boyce
Alasdair Boyce

Clapper Loader

Lucien Fostier
Lucien Fostier

Digital Compositor

Stuart Farmer
Stuart Farmer

Electrician

Laura Lynch
Laura Lynch

Visual Effects Coordinator

Johnnie Burn
Johnnie Burn

Sound Re-Recording Mixer

Simone Filiali
Simone Filiali

Scoring Mixer

Rachael Penfold
Rachael Penfold

Visual Effects Producer

Chaya Feiner
Chaya Feiner

Visual Effects Producer

Cecile Peltier
Cecile Peltier

Digital Compositor

Gary Stillwell
Gary Stillwell

Title Designer

Adrian Marler
Adrian Marler

Storyboard Artist

Ashley Smith
Ashley Smith

Sound Mix Technician

Rana Darwish
Rana Darwish

Clapper Loader

Danny Preston
Danny Preston

Underwater Camera

Pat Wong
Pat Wong

Digital Compositor

Goetz Botzenhardt
Goetz Botzenhardt

Score Engineer

Katie Bullock-Webster
Katie Bullock-Webster

Post Production Supervisor

Stuart Welch
Stuart Welch

ADR Recordist

Pip Ayers
Pip Ayers

Epk Producer

Bruno Martins
Bruno Martins

Electrician

Brian Horsburgh
Brian Horsburgh

Second Unit First Assistant Director

Emmanuel Pichereau
Emmanuel Pichereau

Digital Compositor

Laurie Mahon
Laurie Mahon

Third Assistant Director

Andy Hague
Andy Hague

Assistant Editor

Richard Frazer
Richard Frazer

Digital Compositor

Gregoire Thevenot
Gregoire Thevenot

Clapper Loader

Nat Van Halle
Nat Van Halle

Costume Supervisor

David Littlejohns
David Littlejohns

Assistant Grip

Jussi Honka
Jussi Honka

Dialogue Editor

Laura Dinnett
Laura Dinnett

Clapper Loader

Andrew Hogden
Andrew Hogden

Digital Compositor

Victor Tomi
Victor Tomi

Digital Compositor

Peter Tarran
Peter Tarran

Camera Trainee

Petra Schwane
Petra Schwane

Compositing Supervisor

Jeanette Monero
Jeanette Monero

Digital Compositor

Christophe Dehaene
Christophe Dehaene

Digital Compositor

Alex Nicholls-Lee
Alex Nicholls-Lee

Sound Effects Editor

Billy Mahoney
Billy Mahoney

Foley Recordist

Gareth Bishop
Gareth Bishop

Online Editor

Simon Carroll
Simon Carroll

First Assistant Sound Editor

Barnaby Smyth
Barnaby Smyth

Foley Editor

Stephen Murphy
Stephen Murphy

CG Supervisor

Mark Silk
Mark Silk

Underwater Camera

Bernie Prentice
Bernie Prentice

Underwater Gaffer

Tom Debenham
Tom Debenham

Second Unit Director of Photography

Leila Nicotera
Leila Nicotera

Visual Effects Coordinator

Pip Keeling
Pip Keeling

Underwater Gaffer

Andy Hague
Andy Hague

Visual Effects Editor

Vince Madden
Vince Madden

Rigging Gaffer

Grant McPhee
Grant McPhee

Digital Imaging Technician

Walter Campbell
Walter Campbell

Executive Producer

Reno Antoniades
Reno Antoniades

Executive Producer

Florian Dargel
Florian Dargel

Executive Producer

Claudia Bluemhuber
Claudia Bluemhuber

Executive Producer

Tessa Ross
Tessa Ross

Executive Producer

Emma Ibbetson
Emma Ibbetson

Visual Effects Producer

Eddie Dias
Eddie Dias

Lighting Coordinator



Reviews

Andres Gomez

⭐ 6/10

October 26, 2015

Johansson makes a great performance in an unlikely role, adding great sensuality to the film, even with her very different looking.

The story and movie on itself is a rarety. Very fresh but, also, kind of an unfinished joke.

talisencrw

⭐ 9/10

August 8, 2016

This was a very bizarre and unique viewing experience for me. I greatly enjoy cinematic puzzles, and directors who have the wherewithal, guts and personal integrity to stick to their guns and project their distinct visions without caving in to corporate pressure or normal sensibilities. It is work like this at the cinematic vanguard that makes cinema the most aesthetic of all art forms and the greatest and most intrinsically satisfying component … read the rest.

Reno

⭐ 6/10

December 14, 2016

**The lady from the white van.**

First of all, this is not an entertaining film, but an alien theme on a fictional plot like how they would come live among us. Before that, they need to look like us, so they steal human skins and that's what this film is about. Most of the film was in a van driving around in the Scottland. An alien disguised as a human, looking for the single men in the uncrowded places to seduce and steal their skins. But one… read the rest.

larz9

⭐ 1/10

May 27, 2017

A total artistic wank piece. The plot moves at a glacial speed, thanks to all the filler in it. Sure, it's about a curious alien living among humans and consuming them in some mysterious black fluid that only said alien can walk on.

Other than that, it is absolutely boring as hell and totally lacking in any amount of entertainment. The cinematography itself is great though only in some limited moments. I have a thing for beautiful landscapes b… read the rest.

CinemaSerf

⭐ 7/10

February 19, 2024

Well hats off to Scarlett Johansson for agreeing to come filming in a wet and wintry Glasgow for this quite intriguing sci-fi drama. She drives around the city in her van, ostensibly on the prowl for horny young men looking for a quickie. Back at her's, though - and that's not always the same place - they find themselves in all together different sticky situation. There's no violence, or brutality - just a gentle, I suppose drowning, sensation. W… read the rest.

sickingupdaisies

⭐ 9/10

October 23, 2024

What a beautifully intriguing film. I can tell it's not for everyone, but I certainly enjoyed it beginning to end.

It's very visually interesting with well executed practical effects and eerie sound design. Scarlett Jo does an incredible job in her role, she manages to sell being something not quite human.

There isn't a a neatly packaged narrative that wraps up nicely at the end, so if that's what you want then maybe skip this one.

I'… read the rest.

badelf

⭐ 4/10

April 3, 2025

Jonathan Glazer's "Under the Skin" arrives with the weight of critical adoration and art-house credentials, yet ultimately delivers less than its reputation suggests. While technically accomplished, the film demonstrates that technical virtuosity alone cannot substitute for genuine creativity.

Mica Levi's dissonant score creates a genuinely unsettling atmosphere, and the hidden camera techniques yield moments of documentary-like authenticity (… read the rest.

Status

Released

Original Language

EN

Budget

$13,300,000

Revenue

$7,229,933

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