Claude Barruck Joseph Lelouch (born 30 October 1937) is a French film director, writer, cinematographer, actor and producer. Lelouch grew up in an Algerian Jewish family. He emerged as a prominent director in the 1960s. Lelouch gained critical acclaim for his 1966 romantic melodrama film A Man and A Woman. At the 39th Academy Awards in 1967, A Man and a Woman won Best Original Screenplay and Best Foreign Language Film. Lelouch was also nominated for Best Director. While his films have gained him international recognition since the 1960s, Lelouch's methods and style of film are known for attracting criticism.
Lelouch was born in the 9th arrondissement of Paris to Charlotte (née Abeilard) and Simon Lelouch.
His father was born to an Algerian Jewish family while his mother was a convert to Judaism. Lelouch says that his first contact with cinema was very young: "My mother hid me in movie theaters when I was little. We were wanted by the Gestapo. [...] Cinema, for starters, saved my life." Of his personal faith, he says "Today I believe in God. My faith was sparked when I made a film in Israel. Over there, it is impossible not to believe in God. I loved the places of worship of all the religions. Everything which happens is for the best. I sometimes have the feeling that my inspiration comes from heaven. I think it is wonderful to be Jewish."
His father bought him a camera as a fresh start after his failure in the baccalaureat. He started his career with a reportage – one of the first to film daily life in the Soviet Union, with the camera hidden under his coat as he made his personal journey. He also filmed sporting events, like the 24 Hours of Le Mans and the Tour de France.
Lelouch served in the French Army working in the film unit where he made over 100 films. He was demobilized in 1960.
His first full-length film as director, Le Propre de l'homme, was decried by the critics: "Claude Lelouch, remember this name well, because you will not hear it again" – Cahiers du cinéma said. La femme spectacle (1963), following prostitutes, women shopping, going for nose-jobs, was censored for its misogynist tendency. A Man and a Woman changed his fortunes and was met with favour even by the Cahiers group.
The 1981 musical epic Les Uns et les Autres is widely considered as his masterpiece, and his credits now add up to 50 or so films.
His 1976 film, C'était un rendez-vous purportedly features a Ferrari 275 GTB being driven at extreme speed through the streets of Paris at dawn. The entire short is shot from the point of view of the car. Legend has it that Lelouch was arrested after it was first shown publicly. In a 2006 interview, Lelouch stated that he drove his own Mercedes-Benz 450SEL 6.9 in the film and created a soundtrack of the radically different sounding Italian sports car for effect.
He collaborated more than two dozen times with composer Francis Lai. They scored a great hit with the theme song for the film A Man and a Woman sung by Nicole Croisille and Pierre Barouh, and more than 300 versions of the song exist.
In 1993 he was the president of the jury at the 18th Moscow International Film Festival. ...
Source: Article "Claude Lelouch" from Wikipedia in English, licensed under CC-BY-SA.
Directing
221
Male
1937-10-30
Paris, France
کلود للوش
Rendezvous
D'un film à l'autre
Poumon Vert et Tapis Rouge
Catherine Deneuve by Chance, or, A Certain Blondeness
Smic, Smac, Smoc
Belmondo, il était une fois le beau monde
Trintignant by Trintignant
Re-belles
Jean-Louis Trintignant, pourquoi que je vis
Shoot to Live
Jean-Marie fête Bigard
Annie Girardot selon son cœur
Belmondo, itinéraire...
Bolero: A Global Hit
Visions of Eight
Heart to Heart
De la piste aux étoiles
Who Is Bernard Tapie?
Happy New Year
Resistencia Cultural
Long Live Life
Jean-Louis Trintignant - Mystérieux et insaisissable
Anouk Aimée, la beauté du geste
Far West
Conversation avec Claude Lelouch
A Film About Mikhail Kalatozov
Belmondo by Belmondo
The Right of Man
Lino, il n'était que lui-même
Les Misérables et Victor Hugo : au nom du peuple
Deauville et le rêve américain
One 4 All
A Day in the Life of French Cinema
Boléro, le refrain du monde
Claude Lelouch, la vie en mieux
Bernard, Albert et l'Empereur
Claude Lelouch - Le symphonique
Bardot
Jean-Pierre Aumont, charme et fou-rires
The Legend of the Palme d’Or Continues
À la poursuite de Claude Lelouch
Je m'appelle Régine et je vous emmerde !
L'Œuvre invisible
La Saga du Napoléon d'Abel Gance
Jacques Villeret, drôlement tragique
Deneuve, la reine Catherine
Hossein, Ronet, Trintignant : Confidences de trois acteurs inoubliables
Belmondo: The Incorrigible
The Original+
Charlotte Rampling, le cinéma comme un essentiel
Cannes 1968, révolution au palais
The Good and the Bad
A Man and a Woman
Life Love Death
To Be a Crook
Les grands moments
All That... for This?!
Money Money Money
To Each His Own Cinema
Far from Vietnam
Crossed Tracks
Bolero
Itinerary of a Spoiled Child
Marriage
The Beautiful Story
Lumière & Company
Les Miserables
And Now... Ladies and Gentlemen...
Happy New Year
Cat and Mouse
Love Is a Funny Thing
There Were Days... and Moons
What War May Bring
Live for Life
A Man and a Woman: 20 Years Later
Us Two
Men, Women: A User's Manual
The Courage to Love
Chance or Coincidence
Going and Coming Back
Edith and Marcel
For a Yellow Jersey
The Crook
Another Man, Another Chance
In the Affirmative
Le genre humain - 1ère partie: Les Parisiens
And Now My Love
Bandits
Iran
Alors... Heureux ?
It Only Happens to Others
We Love You, You Bastard
Robert et Robert
A Second Chance
13 Days in France
Love Is Better Than Life
Plan-Séquence
Un + une
Our Earthmen Friends
The War of Silence
Everyone's Life
Les Gauloises bleues
At the End of the Day
The King of Ads
Night Women
September 11
The Best Years of a Life
Earth Light
Le Grand Rendez-Vous
Dance of Chance
Molière
When the Curtain Rises
Il a besoin
Il était une fois tout ça
L'incroyable fertilité du chaos