June 19, 2019

Because you don't understand it, you want to kill it.

An alien ship crashes into the desert, at first it's thought to only be a meteorite, but small time scientist Richard Carlson gets to view the stricken ship before it is totally buried beneath the collapsing crater it created upon its crash landing. Nobody believes Carlson, but soon the aliens start taking on human form and it's then that everyone else must sit up and take notice before it… read the rest.

Because you don't understand it, you want to kill it.

An alien ship crashes into the desert, at first it's thought to only be a meteorite, but small time scientist Richard Carlson gets to view the stricken ship before it is totally buried beneath the collapsing crater it created upon its crash landing. Nobody believes Carlson, but soon the aliens start taking on human form and it's then that everyone else must sit up and take notice before it's deemed too late.

It Came From Outer Space stands as one of the better sci-fi pictures to come out of the Cold War 1950s. Based on the Ray Bradbury story "The Meteor", the story leans heavily on anti-conformist themes and confidently trumpets something different to ourselves actually having the damn right to be different, and that is something I can personally truck with. As with most of the other films from the sci-fi/alien genre, "it" perfectly captures the paranoia of the people, the sense of mistrust befitting the atomic age, the fear of the desert never more evident than it is here.

Directed with some style from genre guru "Jack Arnold" ("This Island Earth"/"The Incredible Shrinking Man"), the film was originally shot in 3D, and though sadly I have never been able to see the picture in that format, I can certainly imagine greatly the impact that certain scenes would have had. The picture is also notable for the use of POV shooting from the alien perspective, all fuzzy focus from a spherical single eye, it works real well and would be something that many other film makers would use from here on in.

This is not a film that relies on creatures to see it home safely, in fact we barely glimpse the creatures here, but we don't need that to be the case, for they make their mark regardless, all of which leaves It Came From Outer Space as a very knowing and quite often intelligent piece of work. 8/10

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January 5, 2026

When a fireball blazes through the sky then leaves a smouldering crater in the desert, local writer “Putnam” (Richard Carlson) decides that he and girlfriend “Ellen” (Barbara Rush) have to hop on their friend’s helicopter and explore the scene. Thing is, when he gets to the bottom of the rubble he could swear he saw something. Before he can get any corroboration, a rockfall buries the site and with the army as disbelieving of his subsequent asser… read the rest.

When a fireball blazes through the sky then leaves a smouldering crater in the desert, local writer “Putnam” (Richard Carlson) decides that he and girlfriend “Ellen” (Barbara Rush) have to hop on their friend’s helicopter and explore the scene. Thing is, when he gets to the bottom of the rubble he could swear he saw something. Before he can get any corroboration, a rockfall buries the site and with the army as disbelieving of his subsequent assertions as every one else, it doesn’t look like anyone is going to be digging anything up. It’s when they are driving back into town and encounter the telephone repair guys “George” (Russell Johnson) and his pal “Frank” (Joe Sawyer) that they get their first real clue that something is amiss. Is it benign? Is it malevolent? Is it all just their imagination amidst the Joshua trees and creepy crawlies of the desert? There can’t have been much cash to spend here, so Jack Arnold has wisely decided not to try to dumb the thing down with cheap visual effects and endless latex. Nor does it turn into one of those militaristic exercises where the potential visitors are surrounded by tanks and Howitzers. The idea that there could be visitors to this planet and that they might be trapped is approached with more of an open mind by “Putnam” and that helps sustain the adventure for a seventy minutes that asks us a few questions along the way. The production is basic and Carlson doesn’t really get very much help from the constantly over-dressed Rush but it’s still a decent watch.

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