FoundFootage.com

Top Billed Cast

Crew
Don Davis
Don Davis

Original Music Composer

Bill Pope
Bill Pope

Director of Photography

Owen Paterson
Owen Paterson

Production Design

Jules Cook
Jules Cook

Art Direction

Charlie Revai
Charlie Revai

Art Direction

Brian Dusting
Brian Dusting

Set Decoration

Kym Barrett
Kym Barrett

Costume Design

Richard Adrian
Richard Adrian

Sound Designer

Steve Courtley
Steve Courtley

Special Effects

Yuen Woo-ping
Yuen Woo-ping

Fight Choreographer

Lilly Wachowski
Lilly Wachowski

Executive Producer

Lana Wachowski
Lana Wachowski

Executive Producer

Grant Hill
Grant Hill

Executive Producer

Andrew Mason
Andrew Mason

Executive Producer

Bruce Berman
Bruce Berman

Executive Producer

John Gaeta
John Gaeta

Visual Effects Supervisor

Grant Hill
Grant Hill

Unit Production Manager

James McTeigue
James McTeigue

First Assistant Director

Claire Richardson
Claire Richardson

Second Assistant Director

Dane A. Davis
Dane A. Davis

Sound Designer

Dane A. Davis
Dane A. Davis

Supervising Sound Editor

Geofrey Darrow
Geofrey Darrow

Conceptual Design

Vicki Popplewell
Vicki Popplewell

Associate Producer

Steve Richards
Steve Richards

Associate Producer

Glenn Boswell
Glenn Boswell

Stunt Coordinator

Hugh Bateup
Hugh Bateup

Supervising Art Director

Philip Keller
Philip Keller

Storyboard Artist

Simon Murton
Simon Murton

Concept Artist

Darek Gogol
Darek Gogol

Concept Artist

Damien Drew
Damien Drew

Assistant Art Director

Cindi Knapton
Cindi Knapton

Assistant Art Director

Karen Murphy
Karen Murphy

Assistant Art Director

Michael Turner
Michael Turner

Assistant Art Director

Godric Cole
Godric Cole

Set Designer

Philip Thomas
Philip Thomas

Set Designer

Victoria Sullivan
Victoria Sullivan

Script Supervisor

Gerry Nucifora
Gerry Nucifora

Boom Operator

Mark Watson
Mark Watson

Electrician

Ian Bird
Ian Bird

Key Grip

Aron Walker
Aron Walker

Dolly Grip

Jay Munro
Jay Munro

Best Boy Grip

Steve Courtley
Steve Courtley

Special Effects Supervisor

Peter Robb-King
Peter Robb-King

Makeup Department Head

Deborah Taylor
Deborah Taylor

Key Makeup Artist

Maggie Fung
Maggie Fung

Key Makeup Artist

Tina Gordon
Tina Gordon

Makeup Artist

Margaret Aston
Margaret Aston

Makeup Artist

Judith A. Cory
Judith A. Cory

Hair Department Head

Dan Bronson
Dan Bronson

Costume Supervisor

Dan Glass
Dan Glass

Visual Effects Supervisor

Terry Clotiaux
Terry Clotiaux

Visual Effects Producer

L. Dean Jones Jr.
L. Dean Jones Jr.

Unit Production Manager

Jody Rogers
Jody Rogers

Visual Effects Editor

Jessica Alan
Jessica Alan

Post Production Supervisor

Julia Evershade
Julia Evershade

Supervising Sound Editor

Andrew Lackey
Andrew Lackey

Sound Effects Designer

Andrew Lackey
Andrew Lackey

Sound Effects Editor

Michael Edward Johnson
Michael Edward Johnson

Sound Effects Editor

Mark Larry
Mark Larry

Sound Effects Editor

Richard Adrian
Richard Adrian

Sound Effects Editor

Michael W. Mitchell
Michael W. Mitchell

Sound Effects Editor

Paul Berolzheimer
Paul Berolzheimer

Sound Effects Editor

Stephanie Flack
Stephanie Flack

Supervising Dialogue Editor

Nancy Barker
Nancy Barker

First Assistant Sound Editor

Eryne Prine
Eryne Prine

Assistant Sound Editor

Paul Hackner
Paul Hackner

Assistant Sound Editor

Nathan Whitehead
Nathan Whitehead

Assistant Sound Editor

John Roesch
John Roesch

Foley Artist

Mary Jo Lang
Mary Jo Lang

Foley Mixer

David Jobe
David Jobe

Foley Mixer

Scott Morgan
Scott Morgan

Foley Recordist

Rick Canelli
Rick Canelli

ADR Recordist

Barbara Harris
Barbara Harris

ADR Voice Casting

John T. Reitz
John T. Reitz

Sound Re-Recording Mixer

David E. Campbell
David E. Campbell

Sound Re-Recording Mixer

Steve Pederson
Steve Pederson

Additional Sound Re-Recording Mixer

Armin Steiner
Armin Steiner

Scoring Mixer

Joe E. Rand
Joe E. Rand

Music Editor

Zigmund Gron
Zigmund Gron

Music Editor

Amanda Crittenden
Amanda Crittenden

Production Supervisor

Gerald Scaife
Gerald Scaife

Production Supervisor

Jacqueline King
Jacqueline King

Production Coordinator

Peter Lawless
Peter Lawless

Location Manager

Henrie Stride
Henrie Stride

Extras Casting Assistant

Suzanne Celeste
Suzanne Celeste

Dialect Coach

Susan Hegarty
Susan Hegarty

Dialect Coach

Fiona Searson
Fiona Searson

Unit Publicist

Ian Bickerton
Ian Bickerton

Construction Foreman

Kimble Rendall
Kimble Rendall

Second Unit Director

Ross Emery
Ross Emery

Second Unit Director of Photography

Toby Pease
Toby Pease

Second Unit First Assistant Director

James McTeigue
James McTeigue

Assistant Director

Justin Folk
Justin Folk

Visual Effects Assistant Editor

Steven Boyle
Steven Boyle

Makeup Effects

George Hull
George Hull

Visual Effects Art Director

Chad Stahelski
Chad Stahelski

Stunt Coordinator

Gregg Rudloff
Gregg Rudloff

Sound Re-Recording Mixer

Simon Whiteley
Simon Whiteley

Visual Effects Designer

Brice R. Parker
Brice R. Parker

Visual Effects Coordinator

John 'D.J.' Des Jardin
John 'D.J.' Des Jardin

Visual Effects Supervisor

David Lee
David Lee

Sound Recordist

Brad Martin
Brad Martin

Stunt Double

Marc Gabbana
Marc Gabbana

Concept Artist

Dion Lam
Dion Lam

Stunt Coordinator

Melinda Sue Gordon
Melinda Sue Gordon

Additional Still Photographer

Yuen Cheung-Yan
Yuen Cheung-Yan

Stunt Coordinator

Andrew Rowlands
Andrew Rowlands

Steadicam Operator

Keith W. Smith
Keith W. Smith

Lead Animator

John Clinton
John Clinton

Visual Effects Producer

Bill Draper
Bill Draper

Executive In Charge Of Production

Daniel R. Chavez
Daniel R. Chavez

Executive In Charge Of Post Production

Jessica Alan
Jessica Alan

Post-Production Manager



Reviews

NeoBrowser

⭐ 8/10

July 20, 2013

And so the much-hyped Year Of The Matrix comes to an end. Truthfully, though, the real Year Of The Matrix was 1999, when the groundbreaking original proved to be the right film in the right place at the right time. Tapping into the cultural zeitgeist and Y2K fears about the power of machines over mankind, The Matrix not only revitalized slo-mo action sequences with its 'bullet-time' style, it had a political relevance that already seems dated in … read the rest.

GenerationofSwine

⭐ 2/10

January 11, 2023

The Matrix I loved.

The Matrix Reloaded I liked AND used it to teach... seriously.

The Matrix Revolutions just stank.

Seriously, it was really bad.

Reloaded was kind of heavy handed on the philosophy... but it still had enough stylized action to compensate for characters who were so transparent representations of religious philosophies they were as vapid as steam.

Revolutions kind of abandons the conflict of philosophies, doubles d… read the rest.

Status

Released

Original Language

EN

Budget

$150,000,000

Revenue

$424,988,211

This product uses the TMDB API but is not endorsed or certified by TMDB.